Credits: Put the end at the beginning. T. Relth
In the end: The 2013 Yearbook is graphically beautiful, well-written, very integrated and looks like one person made it woohooo! and the staffers were very good (great), although sometimes require a bit more pressure from the "ogre" (Mister. R) New EIC1 Senior Leah Mc. - (she published her own book 2013 now on Amazon)Every single paragraph on every page was either written, rewritten or at least checked by Leah. In the last days, she was still inventing captions. EIC2 Sabrina F. (a Junior yet with a way amazing work ethic) Sabrina came in every day and extra days to work, work, work, work, well you get the idea. Graphic Editor, Zineb M. (wow all of the backgrounds with illustrator converted into pdf and dropped in a bkg layer) This scientist of an artist made months-worth of backgrounds and theme ideas...before landing on the final illustrator files and as I say wow. Senior Amalya B. and the never-ending Senior section - built the 48 page senior section with 470 column inches of story about the class of 2013, plus senior spotlight stories on each and mug-shot plus two portraits and 6 facebook type photos for each... Lotsa work. Collection of anything from Seniors with Senioritis = Herding Cats! Others who were there: ...drum-roll please: "The New Kid", Junior from SoCal, Spencer C. - odd sense of humor and great graphic sense, a bit "ADD" etc quote: "I'm not prejudiced, I pretty much hate everyone" -MS and K sections very nice work. Editor, Rania T. (Junior) sweet as pie and worked very hard.. entire ES section and all transitions. She picked up a lot of slack at the end!! Yahoo. Rania, did YB while juggling several extracurriculars. We thought she might explode ... but she always charged ahead. Then... there were these two crazy Sophomores: Yasmine B.and Salma B. who were veeerrrryyy creative (almost tttooo much) Yasmine built the whole MS and HS sport section. And Salma made all of the major events "dance" with seriously "pro" level graphics. Did I say dance? I guess that is what they almost did everyday in the lab. (grin) I miss these guys! If I missed anything?? .. write to me. ... Oh yeah I spent almost another full year of time on this year's book.... vacations, weekends...but who is complaining? Ask my wife.
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Yearbook with Indesign "strategy"Originally written to a 2009-10 former student at the school:
I can tell you that using Indesign for 5 years (and for 3 years on YB), I am now a "mini-power" indesign user/teacher. I found out how to automatically merge the 900+ photos by grade, alpha and place correct names below... a major help using excel database. This saved an incredible amount of time ..after it was set-up. Set Limits: Also style sheets and limitations on "creativity" were helpful. Otherwise the students tend to wander off in all directions and make a disjointed mess. The other big deal was to use a wire-framing concept in only B/W in Indesign at the beginning to force all of the students to face the limitations of design: space and page layout. Wire-framing/black white and greys: The entire book was laid-out using wire-framing and was formatted with character, type style and paragraph styles along with borders and drop-shadows; all this showed from the beginning. We were able to kill (or revise)the really bad stuff early. Note: Color really gets in the way at first so B/W was the key. With this we were much more likely to see design that did not follow the main thrust of the book. Layers: I also insisted on using layers and we started with 4 but later had 6-7 layers in nearly every section. File-naming convention-less headaches: Another help was to use special file names and save "as new" every single time you work ... it also told me when the students worked and I could go back (if needed)....also if a file crashed, we only lost a day. For example: 20130423_77-89_Seniors_Amalya.indd (this way files listed in date-order in the file-folder: later we changed to 77-89_Seniors_Amalya_20130602.indd so that all of the final pages listed in page-order. It was easy to see which files we finalized. A fast server a MUST: We were able to get IT to give us a new server ..(the old PC based "M_nr_e" became a slug ...maybe it always was a slug). We received a mac-mini and the art department students and Yearbook team were the only ones on it. The total GB when done ...99.7 GB!! of photos from staff and students and the total other graphics files was 175 GB +/-. It worked like water ...instead of sludge. Photos from everywhere - More file naming: Another help was that I taught the Digital Photo Class with required DSLRs and used Adobe's Bridge Batch naming ... so we had lotsa properly labeled photos from which to draw. example: 20121209_JVSoccer_Sophia_DSC009.jpg End Notes: I am thinking of starting a club "International Yearbook Survivors Club" You have to have made more than 3 books to be accepted into membership. The only problem is that by the time you have completed year third year you are so wiped out that you would never let anyone know you did it. One, because someone might want to hire you to do it again and two, someone might ask you to advise. All in all the best ever if I say so and many others say so too. TR As I was walking across campus from the art room to the computer lab four years ago, I asked Nahla and Khnata: “Can you walk any slower? You two are doing the Moroccan Stroll”. Nahla responded casually, “But, we are enjoying the moments on the way there Mister. We’ll get there, there’s really no rush”. All the while I was thinking about my agenda and what I wanted them to accomplish in the “C” lab today. I suppose that I completely discounted what she said.
Now I am sitting here at Sidi Rahal in an old blue camping chair, looking out over the grand blue-green Atlantic. One hundred-plus high school students gather clique by clique: fraternity, sorority. Some of us observe and some chat, but mostly we hang out because that’s what we do. Safiyyah (Moroccan-American) approaches. She has been here at the school for only 3 years, but she has made a great adjustment to our special hybrid American- School-in-Morocco social style. I ask her if she can describe what it is that we (the students) do best. “Just hanging out” she says without hesitation. Today I sit for the fifth time at Sidi Rahal. At least 30 of our students have their cameras, capturing the moments of the day for the annual Beach Day Photo Contest. The fifteen winners will have their photos displayed in the Multi Purpose Room later this year, and will enjoy a big Pizza Bash. Their work will be included in this year’s Yearbook. The high school math teacher Mr. Smith and I compare notes on students as we lounge on the beach observing the procession below: soccer, American football, soccer, swimming and volleyball games engage the majority, while at least forty share in our favorite activity: “Hanging out.” I see Paul walking and chatting with ….((( read in here Adam L))) A group of students strolls past, shoulder to shoulder. Lina, Amalya, Nada, Nizar, Dakir, Medhi, Maisson, Ibrahim, Waleed, Hajouji, Sofia and Paul form a volleyball circle – no competition, just keep it going, hangin’ (white, pink, tan and almond skin in the sun.) Later on, "FZ" sits with the dozen seniors as I approach “And so what’s the story of the day FZ?” “Today people are having fun - playing volleyball, swimming…. Everyone is interacting – no one is alone. For example, these two. (Referring to Amalya and Ghali , lying on towels next to hers) They are not alone. Only me, I’m alone .... talking with you - Oh, ha ha” (as she realizes what she just said). Hamza, FZ , Amalya and a few others walk to the cafe. On the way I ask Hamza “what’s the story of the day?” “I haven’t discovered it yet”, he says. We order Sprite, Lavazza and Sidi Ali , and park ourselves at the standing tables. The proprietor is playing "Only You (And You Alone)" from 1955 by the Platters. Leah (a new American student) lags behind. The color changes. It becomes more blue. We talk about (God’s calling?)for 5 minutes as she finishes her Sprite. And then walk back to the group on the beach. In my first year I could barely care who was who or what they were doing. Today, I notice that most of the obnoxious, the entitled and the loud bunch has graduated or stayed home. The day is tranquil, soft, sweet; the light is clear. I know them, each one. Nearly all have been in my classes since middle school. It is a different time. There is less discipline required; there is sweetness present. It is less complicated. It was noon when I noticed there were now only four playing volleyball. Everyone else was sitting on towels in informal “salons.” Everyone was again talking, listening. We were doing what we do best ...interacting, hangin’. Soon the freshmen would get to have their lunch. During the 2011-12 Christmas letter editing process a "t" got in my way.
My error = We proofread in Microsoft Word (well, actually iWorks Pages) but then... During my later editing for layout in Adobe Indesign (the program we use for Yearbook print layout), the difference between keying "Esc t" (for add a Type window) and just a plain ol' "t" ended with a bit of humor. As I was trying to place a new type box, I added a little ol' plain "t" and planted a "t" right there in the sentence. Because I was moving too quickly, and without noticing, I made "newt" instead of what was there .... "new". This error actually went to print but it was a newsletter for friends and luckily not for Yearbook. Of course any dumb ol' spellchecker accepts "newt"* and I did not see it. So there you go...duh. One reader caught the error and brought it to my attention, writing that he was please to know that I had made a "newt" friend. It was a great dumb ol' professor error for my show-and-tell discussion when returning to Yearbook class the next morning. Most of the students did not catch the humor. I did appreciate it..however. *for those of us unfamiliar ...a newt is an aquatic amphibian of the family Salamandridae. (wiki) Just finished this video for the exhibition
Last year in September 2008, the Director of the school asked me to do a large mural during In-Service. This is a week-long session prior to the opening of school. He asked me to do this during the In-Service training "live" while the talks were in session. I did not do well with that, so finally took the whole piece home. The result was acceptable but I was not so pleased. It now hangs to irritate me everyday in the school's multi-purpose room.
This year he asked again but I was ready for him. I suggested that I would use this as a teaching time, invite my students to come and received his OK to bring students to create, plan and produce this years mural. Using facebook and email I invited 15 of my best painting students to join the program. Six took the offer and came every day for the entire week. I had no real idea of what we would do. I felt that if I was to allow the students to really participate I would need to relinquish control of the creative portion to the team. We worked in an atelier method for a full week. We met starting the Friday before the in-service sessions, and continued daily except Sunday. In total, they worked about 30~40 hours each. We worked together to plan the mural to be original yet appropriate to this year's theme "Learning Heart to Heart". The problem was to communicate this idea without using obvious trite images or symbols. No one wanted to use little cutesy hearts. We struggled together with concepts for two full days. The sketches were quite terrible. Finally, somehow, we came up with repeated hand-prints in some kind of pattern. We later established a unifying grid of 5 bands or stripes across the image to hold it in a kind of controlled patterning. The canvas is comprised of three large canvases each 1.33 x 1.9 meters (50 x80") to make an overall piece of 4 Meters wide by 1.9 M tall (160 x 80") First, we all painted sky cloud-like forms and overlaid tints of pinks, light blues and yellows as a kind of field painting. Afterward we masked off five equally divided horizontal sections and mixed up rich full-tone colors on a glass palette, rubbed our hands into the fat paint and all six students and I planted hand-prints on the large mural ... over and over and over. We worked on this for 2 more days laying more and more prints. On Friday, at the in-service closing dinner, we presented the work to the director, the entire staff , and the teachers. We asked everyone to come up and place their own prints on the canvases. The staff were directed as to where to place their hands in the colored paint and where to place their print. We had board members, teachers, teacher-aids, kitchen, janitorial and guardian staff and their spouses and children all waiting in line to place their respective marks. It was very a special time. The work will soon be mounted in the large multi-purpose room where we eat our lunches, and have assemblies, family events, exhibitions and festivals. This years work will hopefully over-shadow last year's cartoony and weak attempt at a meaningful response to the in-service theme. This year was a much more rewarding experience and event; and the result stands well against both the objectives of the Director and yours truly. The students are to be acknowledged. The work communicates its meaning without fail. - T OK, so blogging is easy e a s y. Not so easy to move. I just want to move the old stuff over here so its all in one place. But low and behold, I need to strip-mine my old blog for the gold and move what is of value. Otherwise I will be here till school starts and there isn't time.
I've asked several friends and apparently there is no great quick answer. But this weebley.com interface is pretty intuitive so I am pressing on. In fact I think it is pretty easy to use and I will suggest it to students. Maybe next years ad art class we can all build a website. Tom I have written elsewhere about my admiration for Frank Gehry. In the documentary by Sydney Pollack, it opens with drawings (sqiggles) by Mr. Gehry, while Frank in the underlying audio track says "You think starting is hard? You bet it is." So, I poke and prod my students but "frank" truth, I have the same reluctance to place that first stroke on that white canvas. So, the Saturday before last, I took out the stuff: the l'huille d'lin (linseed oil) and colored oil paints, and my bigger brushes and I started. Swash, splash, and slob it on, I did not care ...it was just a free flow of fat, wet, loose paint on a big surface (1.9 x 1.3 M = 75 x 51") and there is just so much of it, it just did not seem to matter if I made any mistake; it would be recovered in the main. The truth be known, I could not resist and at the same time I had no idea what I was doing, just using everything I know and everything I don't. I got to "step 1" and stopped. .... Then "step 2" above
and after a four day rest "step 3". below... I am sure that I will regret some of my spastic work, but I will remember that it is just "goo" on a surface. Tom |
Relth in US
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March 2018
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