Tom Relth
"Old Growth Multnomah Falls" 51 x 160 in.(1.3 x 4M)
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Upcoming Events:News:
There is always something going on... New Studio Opens Spring 2018 Photos Camas Gallery event "Six Brush Paint Out - March 2, Tom Relth and Heidi Jo Curley rotated easels easels every 15 Minutes for nearly 3 hours [...]
Real Vancouver: Art in Vancouver on YouTube - interview with four local Vancouver WA artists [...]
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Process for "Grist Mill Pooling"
Tom Relth
"Grist Mill Pooling" work in process, layout, pigments on canvas, 40 x 63 in. (1 x 1.6 M)
Tom Relth
"Grist Mill Pooling" work in process pigments on canvas, 40 x 63 in. (1 x 1.6 M)
Tom Relth
"Grist Mill Pooling" pigments on canvas, 40 x 63 in. (1 x 1.6 M)
"Grist Mill Pooling" pigments on canvas, 40 x 63 in. (1 x 1.6 M)
Tom Relth
"Old Growth Multnomah Falls" pigments on 5-panel canvas, 51 x 160 in. (1.3 x 4M)
"Old Growth Multnomah Falls" pigments on 5-panel canvas, 51 x 160 in. (1.3 x 4M)
Tom Relth
"Standing in the Water", pigments on Canvas, 33 x 210 in. (2.7 x 17.5'/0.8 x 5.3M)
"Standing in the Water", pigments on Canvas, 33 x 210 in. (2.7 x 17.5'/0.8 x 5.3M)
"Standing in the Water", pigments on Canvas, 33 x 210 in. (2.7 x 17.5'/0.8 x 5.3M)
"Can't See the Forest for the Trees", work in process pigments on canvas, 5 panels, 63 x 197" (1.6 x 5M)
Lower Columbia College Health and Sciences Bldg., Longview WA
Lower Columbia College Health and Sciences Bldg., Longview WA
Local Installations:
Vancouver City Hall - 415 W 6th Street, Vancouver WA
LSW Architects / West Park Partners - 610 Esther Street Set 200, Vancouver, WA
Erik Morton State Farm Insurance 202 E Evergreen Blvd, Ste 100, Vancouver, WA
Lower Columbia College Health and Sciences Bldg., Longview WA
Vancouver City Hall - 415 W 6th Street, Vancouver WA
LSW Architects / West Park Partners - 610 Esther Street Set 200, Vancouver, WA
Erik Morton State Farm Insurance 202 E Evergreen Blvd, Ste 100, Vancouver, WA
Lower Columbia College Health and Sciences Bldg., Longview WA
Tom Relth who keeps his studio in downtown Vancouver, Washington; is both a contemporary abstract and landscape painter, working generally on larger format canvas, paper and wood panels. Often Relth incorporates complex forms from nature into abstracted landscape.
He uses both traditional tube paints adding dry pigments, such as minerals, dried herbs and spices such as found in found in mediterranean cuisine.
Relth offers a potent look at abstraction and use of color. The images depict a kind of atmospheric light and a suggestion of matter at its inception. Works are often fluid and occasionally focus on form, and often imply an intangible depth. The works have both a vibrancy of color and a paradoxical calmness.
The artist has developed a special process that includes the use of ground minerals (blues and pinks) and dry cooking spices like turmeric (yellows), paprika (reds) and cumin (earths), mixing his own paints with glues and resins. The process suggests early European paint methods and the Japanese process of Nihonga.
Call for an appointment - 360 561-4245
He uses both traditional tube paints adding dry pigments, such as minerals, dried herbs and spices such as found in found in mediterranean cuisine.
Relth offers a potent look at abstraction and use of color. The images depict a kind of atmospheric light and a suggestion of matter at its inception. Works are often fluid and occasionally focus on form, and often imply an intangible depth. The works have both a vibrancy of color and a paradoxical calmness.
The artist has developed a special process that includes the use of ground minerals (blues and pinks) and dry cooking spices like turmeric (yellows), paprika (reds) and cumin (earths), mixing his own paints with glues and resins. The process suggests early European paint methods and the Japanese process of Nihonga.
Call for an appointment - 360 561-4245
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